While technically not a quilt - this fun "coverlet" is perfect for hot summers and lightweight warmth.
The top is made like any other quilt, the backing is white flannel and everything is quilted with a walking foot. The twist here is that there is no batting or middle layer. Voila ... a coverlet.
The pattern: A large 'square in a square' or economy block.
Cut (25) 9.25" x 9.25" pieces for the center squares.
Cut (50) squares 7.25" x 7.25". Make one cut on the diagonal from corner to corner to yield two triangles. Total triangles needed is 100. Pair up four of these triangles with one large square. Sew two triangles on opposite sides. Click HERE for more details and pictures of a previous square in a square quilt.
I like to trim off the dog ears - it's up to you. I press my seams open and then attach the other two triangles on the opposite sides.
I love my rulers from Deb Tucker and her instructional videos. I use her measurements listed on the rulers so all my blocks are over sized and then trimmed down. For a really good alternative method on how to make an economy block without these rulers is this post from Catbird Quilt Studio.
Also, Rita from Red Pepper Quilts has good pictures and instructions for a smaller more complex economy block here.
The biggest block you can make using the Large Square Squared ruler is a finished 12" x 12".
Lining up the 12 marking on the inner square allows me to trim to a consistent size and quarter inch away from the edge.
There are now 25 big economy block squares ready for layout. After finishing the layout but not yet sewing anything - cut 20 squares 6.5" x 6.5".
Join two at a time and trim those two squares to 12.5" wide.
Why measure these border blocks now and maybe trim? If you are sewing with a scant 1/4" these two block may be a little larger than 12.5" wide. It looks nice to match up the seams in the border with the seams in the economy block - this is a simple way to ensure this.
Now you can sew all the smaller border squares together - 10 blocks for the top and 10 blocks for the bottom.
However you like to sew your quilt together is up to you. I do three top rows in one 'chunk' and then do the four bottom rows in their 'chunk'. Attaching two 'halves' is not as bulky as dragging an ever growing quilt top and attaching one row at a time. I like working on smaller bits which is why I don't make medallion quilts. (Those are quilts that start with a center square and continue to add around it. I like blocks and rows).
If you are into decorative quilting then this type of thin quilt won't show your skills. But this scrunchy wrinkled lightweight 'coverlet' is so versatile. It's easy to layer on your bed with other blankets, washes and dries quickly ... and is a great cover up wrap to prevent sunburn during the day and mosquitoes at night when used outside.
Quilting is still done with a walking foot. A broken wavy line follows the seams and through the points of all the squares. A very pretty pink 50wt. Aurifil thread on top and bright white on the bottom.
Lastly, this 'quilt' comes together very quickly - fast to sew and fast to enjoy!
Materials:
Le Vintage Chic / Art Gallery Fabrics
White Flannel
Aurifil 50 wt. #2024 (white) #2415 (pink)
Large Square Squared ruler / Deb Tucker / Studio 180
Size: 60.75" x 72.5"
July 2019
Ever wonder what to do with a fat eighth? Here is one great simple block - it's a disappearing 9 patch - cut on the diagonal and reassembled.
For this quilt I used all Cotton + Steel fat eighths. A fat eighth is 9" x 21" - but not all fabric cuts are totally accurate. Some of my pieces were just shy of 9" deep, so I cut my squares for this 9-patch: 4 1/4" x 4 1/4".
Pull out 9 squares that make a variety in both color and dark/light. Sew into a 9 patch, 3 across by 3 down.
Now cut this whole unit from corner to corner on the diagonal. You will end up with 4 pieces. Put these into a pile and start the whole process over again.
Now comes the fun part. Take two random triangles and position them so that the two large, uncut squares are opposite each other.
Don't try and be all matchy matchy or overthink this. There is so much pattern that trying to 'figure out what looks best' is not really possible.
Put your pairs all together and have fun sewing them together. Now its TIME TO TRIM!
My blocks were a little shy of an 8"x 8" - so I just grabbed my 7.5" square ruler and trimmed everything to 7.5" x 7.5".
Yes, a little waste with the trimming but I really didn't want to chase after an extra half inch or so and following the template made perfect blocks and kept this project relaxing and fun.
Now the important part - layout is key. There are two whole squares in the middle of your block, and above them are two small triangles (dark pink and stripped in the pix above).
The goal is to have the 'little triangles' meet whenever you can during the layout phase. Why do it this way? I think it's easier to find the little triangles as a repeating pattern on an already busy looking block. The pix above shows how easy it is to find the four little triangles to match up.
Not every side of your blocks will have little triangles to match. But if you do it this way - lots of secondary diamond shapes appear throughout your quilt ... all created by the various sized triangles lining up.
To layout on point - here is a video from the Fat Quarter Shop for visual instruction. There is also a link for a downloadable cutting & measurement chart. I would recommend using Kimberly's suggested cutting sizes and even going a half inch larger for the corner triangles - this will allow lots of wiggle room for squaring up.
Notes: one 9-patch made with 4.25" squares yields 4 'triangles' (or 2 blocks). Each block is trimmed to 7.5" x 7.5" This quilt has 25 Cotton + Steel blocks. Following the Fat Quarter downloadable chart, the rest is Kona white with a 3" border on every side.
The back is a rainbow of left over minkys and here is my post on how to do that.
I press my seams open so quilting was done with a walking foot on either side of the seams - and through the larger squares that didn't have seams. Because of the minky back I did a generous 3.30 straight stitch length and used Aurifil 50wt. #2000.
Two links to earlier quilts made with this block, not on point but a little easier Row by Row: here and here. I hope that this variation of the disappearing 9 patch becomes as fun for you as it is for me.
Materials:
Cotton + Steel - Fat 8's
Kona white
Warm & White batting
Scrap minky
Aurifil 50wt. #2000
Size: 45.5" X 45.5"
May 2019
The third and final quilt made with the prettiest novelty fabric called Feather Flock by Tina Givens. Feather Flock came out in 2015 but some pieces are still available on Etsy. How can a little quilt this cute really be called a scrap quilt?
Quilting is straight lines on either side of the seam with a generous 3.4 stitch length and then down the middle with Aurifil 50wt. #2425 (light pink) and #2311 (muslin) on the back.
I sewed two left over minky pieces together as well as scrap batting for the interior. You can see here how the quilt lines from the front create those little pockets of minky puffiness that make this type of blanket so fun. I am still a big fan of dimple dot minky and an added bonus is how many colors are now available. Quilting with minky is always done with a walking foot, going slow and steady.
A little purple and some Kona white made a small border and binding is in hot pink. Perfect for it's new owner who just turned 9.
Novelty fabric does not always translate into cute quilts. But here you can see how simple quilt patterns like the 'snowball' and 'granny square' can work with bright, bold designs - especially when paired with a crisp Kona white.
There was something about the colors, the fairies and little birds with crowns that appealed to me and I have loved every quilt I made with this collection.
Luckily I had a left over granny square and some true scraps to make this funky block for myself ... I have no idea what to do with it for now ... but this block is staying with me!
Materials:
Feather Flock / Tina Givens
Warm & White Batting
White minky from Hawthorne Threads
Vanilla minky from Fabric.com by Shannon
Aurifil 50wt. #2425 & #2311
Kona white and scrap purple/hot pink
Size: 44" x 45.5"
April 2019
How cute is this square in a square quilt? It may look complicated but it is very forgiving because you trim ... and then trim again. Here is what my starting pile looked like below.
There are two names for this block - square in a square or the economy block. Here are the sizes and techniques I did for making this quilt. Lots of pictures to share but shown in different fabrics since I ran out of Little Ruby to demonstrate.
I cut all my scraps into 2 1/2" x 2 1/2" squares - or made them that size by sewing a few pieces together. (see below)
All squares were sewn together into a 4 patch with two similar patterns per block if possible. The important thing is to make sure the center points look good in the middle. The outside edges can be wonky since all 4-patch blocks will be trimmed to 4" x 4" unfinished.
3 3/4" x 3 3/4" squares are cut out of the background fabric. Then sliced on the diagonal into triangles. Finger press the triangles to create a little crease - wrong sides together.
Lay your triangle with the little crease, right sides together on a seam on the 4-patch. I have a little blue line marked on the wrong side that shows you where the crease is in the pix below. The crease kind of nestles into the seam and easily lines up your center point. If you made the crease with right sides together it would create a little 'bump' and not lay flat when you sew.
Sew two triangles on opposite sides of your 4 patch. Don't call the quilt police because I am not sure if this is the 'right' thing to do - BUT I always flip my units over and trim off the little 'ears'. Now press open the seams and do the whole thing all over again on the remaining sides. (pix below - the blue marks are only to show where the crease/fold lines are for this post)
You now have another lovely wonky block. No worries. Press seams open and trim again. How you do this final trim is up to you - whether it's with a square ruler or on your cutting mat. The final size you are aiming for is 5 1/2" x 5 1/2" unfinished.
I enjoy using Deb Tucker rulers where her technique is to make over sized units and trim down. She has two rulers that do this for a Square in a Square. One template is for sizes 1" - 6", and then a 2-ruler set that makes sizes 1" - 12". The link is here.
I positioned the Square in a Square ruler with the dotted lines on my 4 patch - lining it up with the number 5 on all the points. There is little waste and the 4-patch is nicely centered. Trim to 5 1/2" x 5 1/2".
The rest was pretty fun - laying out the squares all in rows. Nothing on the diagonal and all straight stitching.
The same technique and same size was done for the red 'diamonds' on the side. The only reason it looks different is because this 4 patch is made with two red and two background squares.
When the background fabric is used as part of the 4 patch - the dominant color creates a nice pretty diamond effect.
Quilting was done with wavy lines in Aurifil 50wt. white #2024 on the top and red #2265 in the bottom bobbin.
There was one little snag that disappointed me with this quilt. The minky was pre-washed a few times and I can't remember if the Little Ruby was way back in 2017. But even with Shout Catchers there is a slight pink tinge to the background fabric.
This quilt is solid proof that while I may see a 'pinkish' flaw - the sentiments and thoughts for making this quilt in the first place are what's important. It's with great joy I gift another quilt to someone new - a lovely lady called Barbara - so she can snuggle up and enjoy something made especially for her.
Materials:
Little Ruby / Bonnie & Camille / Moda
Modern Background Paper / Zen Chci / Pin Dot - Silver white
Red dimple dot minky
Warm & White batting
Aurifil 50wt. #2024 & #2265
Deb Tucker Square Squared Ruler
Size: 45.5" x 45.5"
March 2019
After months of looking for something "mid century modern" I found the perfect fabric called True Blue by Zen Chic. The color palette and the shape of the 'split rectangle' or 'half rectangle triangles' were ideal.
I really like the templates by Deb Tucker (web site here) - and her video instructions here.
Her approach to quilt blocks is to make over sized units and trim to size. Deb Tucker's videos are my teaching tools and I am super happy with the final results.
Stats for this quilt are:
1) Cut fabric 7" wide
2) Choose which way you want the diagonal to go and cut fabric accordingly. How you cut the fabric is the key to versatile half rectangle quilts.
My half rectangles for this quilt were cut with the fabric wrong side up.
3) Sew 2 half rectangles together
4) Trim the rectangle unit to 3.5" x 6.5" using the same Deb Tucker template. (This ruler makes 8 size options all the way from a tiny 1/2" x 1" ... to a large ... 4" x 8".)
I did pre-wash & starch the fat quarters. Trimming on a rotating mat is so helpful and seeing those accurate split rec units was wonderful. This quilt is 58" x 73" and has 19 split rec units across - with 12 rows down.
Quilting is straight stitching on either side of the seam lines - vertical, horizontal and diagonal. Aurifil 50wt. #2600 thread (Dove) on top and this super grey/blue #1248 on the bottom. Perfect thread every time to use for piecing and quilting with minky. The backing is dimple dot minky also called "Dove" from Hawthorne Threads
My first quilt using this ruler is shown above. The blog post about it is here. The ONLY difference between that diamond quilt and this modern blue quilt is how the fabric is cut. The diamond look is achieved by cutting fabric rectangles with right sides and wrong sides up. This single direction diagonal quilt was cut with all fabric wrong side up. (If you would like all the diagonals to go the other way - you would cut all your fabric right sides up).
I found this True Blue fabric by Brigitte Heitland for Moda at a lovely on-line store called Stash Addict Quilts based outside of Seattle WA. I have found many hard to find bundles (and yardage) there and they are truly worth adding as a fabric source. Their staff is nice too!
Lastly, I am not compensated for any of the tools or places I shop but think it's worth recommending rulers that work and shops that are hidden gems.
Materials:
True Blue from Zen Chic / Brigitte Heitland / Moda
Warm & White batting
Aurifil 50wt. thread #2600 and #1248
Binding: Cotton Couture Midnight / Michael Miller
Deb Tucker Split Rects ruler
Hawthorne Threads dimple dot minky / Dove
Size: 58" x 73"
March 2019
